News, projects, events, competitions and products for architects in Romania, only on ArchDaily. Traditionally, the Romanian architecture relied greatly on Byzantine structures and patterns, especially witnessed nowadays in religious buildings and in some. Romanian architecture is diverse, including medieval architecture, modern era architecture, interwar architecture, communist architecture, and contemporary 21st century architecture. In Romania, there are also regional differences with regard to architectural styles.Pre-Modern styles · Modern era architecture · 19th century · 20th century.
|Published:||24 June 2014|
|PDF File Size:||41.84 Mb|
|ePub File Size:||14.96 Mb|
A good example is Sucevita Monastery church from Suceava County shown in the image bellow.
Sucevita Monastery That is a most interesting development, being known that the Orthodox church architecture is, as a rule, essentially Byzantine. The fact that Romania has many examples of Orthodox churches with obvious western Gothic motifs is the direct result of the geopolitical historical romanian architecture of the old Romanian communities on the historic romanian architecture line between West and East, between the western and eastern churches.
Their religious architecture therefore borrowed from both Gothic and Byzantine styles during the Middle Ages.
This interesting blend of Gothic and Byzantine was not followed, with a few exceptions, in the modern Romanian civil architecture. See the image bellow: See in the example bellow one of the most representative such buildings: The locals adopted it from their Ottoman overlords romanian architecture that particular type of fortified dwelling that had a very practical purpose in times of instability: Another source of inspiration for the neo-Romanian style is from the architecture of palaces built for the Wallachian prince Constantin Brancoveanu — by Italian architects in a style that borrows heavily from late Renaissance villas of northern Italy.
The photography bellow shows Potlogi Palace, now in a very sorry state, where one can also detect numerous elements strikingly similar with the grass root architecture of the romanian architecture buildings some added during subsequent restoration works.
The plot of land bought by Minovici was not flat, as it went down towards a swampy area, which provided a good terrain for a descending garden, with the house placed on top; to make it complete, the city used to end here at the time, and woods used to stretch to the North.
The garden was arranged in the style of the s, being set by decorative sculptor Wilhelm August von Becker.
Local Architecture: the Neo-Romanian Style
The purpose of the romanian architecture was hosting Dr. InMinovici donated all collection and the house to the City Hall, with the condition that it would always stay like that, a museum dedicated to traditional art. The doctor died in and Dumitru Minovici which inherited a part of his fortune became director of the museum, also building on part of the land his uncle had owned, the house that would bear his name and lies next to it, the actual Museum of Old Western Art, which was completed in Having changed the administrative authority a few times during the Communist regime and afterwards, the museum reopened for a period of time and it was then unfortunately closed for a desperately needed restoration, with no sign that this restoration would commence anytime soon.
Take your time to explore romanian architecture house from the outside though, it is a fine sample of Neo-Romanian architecture. If you do not take the Minovici option or after doing the loop to itgo on along the Ion Mincu. Then taking the second street to the left the Emanoil Porumbaru followed by a 5 minute walk can get you to a fine sample of Neo-Romanian style property that was carefully restored; it lies on the crossing of the Emanoil Porumbaru with the Ion Cantacuzino.
Architecture of Romania
Note the carved wood pillars and the extensive loggia. Back on the Ion Mincu, go on and take the Aviatorilor to the right. Romanian architecture to the left along the Grigore Alexandrescu, passing by many fine houses set in different styles.
Guserescu Mansion 20 Vasile Alecsandri, off the Grigore Alexandrescu crossing was built romanian architecture the plans of Architect Statie Ciortan, author of several administrative buildings set in the same Neo-Romanian style.
The building is well balanced and it lacks unnecessary, excessive decorations. Romanian architecture always, a special note goes for the first floor loggia which has suffered alterations with the windows having been brought forwardwith its trefoil shape central arch, as well as the intricate stucco decoration above it.
Continue along the Vasile Alecsandri, noting the beautiful house at number 6. This house romanian architecture outstanding for its glazed tile decorations forming the band under the eaves.
Romanian Architecture : Buildings
The carved stone window frames are equally interesting. An important part nowadays hosts Bastilia Librarium Bookstore, so you can visit it and walk up the wooden stairway all the way up to the attic room.
Note the building at number It has the typical tower, yet with a romanian architecture approach for the windows with a tall window running from the ground floor all the way to the first floor.
With rather austere loggias for the Neo-Romanian style, the house is lighter, more fluent than most similar projects and the fact that it lies in a leafy garden without any other building set next romanian architecture it allows for a better exploration of the place.
Having hosted an embassy, it nowadays hosts a foundation and its adjacent art collection and therefore can be visited, which is recommended, as the entrance hall stained glass, the gilded stucco panels and the library furniture have all been well preserved.
The property has two facades of interest: